UK, 1983. Directed by Pete Walker. Vincent Price, Christopher Lee, Peter Cushing, John Carradine, Richard Todd, Desi Arnaz jr., Sheila Keith, Julie Peasgood.
This reworking of an oft-filmed story provided an opportunity for a number of ageing horror icons to work together. You have to wait half an hour or so, but when they finally appear Price, Lee and Cushing are all given theatrical entrances as befits their stature. They, together with Carradine, Keith and Todd, all have generous amounts of screen time and all are enjoyable to watch. One suspects Peter Cushing in particular enjoyed his role. Sadly the film itself is not up to much, suffering as it does from a creaky plot and a triple-twist ending which falls flat. A tongue-in-cheek, PG-rated horror which is disappointing but enjoyable for those interested in seeing all those actors together in the same room.
Thursday, June 7, 2012
Hard Eight
USA, 1996. Directed by Paul Thomas Anderson. Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel L. Jackson, Philip Seymour Hoffmann.
An early film from this talented writer-director (made in his mid-twenties) and a hint at the riches to come. A character study wrapped up as a thriller of sorts, this boasts excellent performances from all concerned, particularly Philip Baker Hall in the pivotal role of Sydney. With his superb dialogue and the understated performances he draws from his actors, Anderson has created a compelling drama which is never predictable, always believable and continually fascinating to watch. Highly recommended.
An early film from this talented writer-director (made in his mid-twenties) and a hint at the riches to come. A character study wrapped up as a thriller of sorts, this boasts excellent performances from all concerned, particularly Philip Baker Hall in the pivotal role of Sydney. With his superb dialogue and the understated performances he draws from his actors, Anderson has created a compelling drama which is never predictable, always believable and continually fascinating to watch. Highly recommended.
Confessions
Japan, 2010. Directed by Tetsuya
Nakashima. Takako Matsu, Yoshino Kimura,
Masaki Okada, Yukito Nishii, Kaoru Fujiwara, Ai Hashimoto.
A disturbing and dreamlike psychological thriller which
starts quietly but builds its tension well and remains very watchable
throughout. It follows the Japanese
trend in movies in its obsession with schoolchildren and violence. Made in a theatrical, flamboyant style with a
great deal of flair, it tells its story through a number of viewpoints, using
voice-overs of the relevant characters.
Well worth a look.
Petticoat Pirates
UK, 1961. Directed by David
MacDonald. Charlie Drake, Anne Heywood,
Cecil Parker, John Turner, Thorley Walters, Maxine Audley, Eleanor Summerfield,
Victor Maddern, Lionel Murton, Barbara Hicks, Dilys Laye, Michael Ripper, Anton
Rodgers.
A rather lame British comedy conceived as a star vehicle for
Charlie Drake. Packed with the usual
character actors of the period, everyone does their best, but no-one can save
it from being tiresome. Anne Heywood
looks as if she knows she deserves better than this but grits her teeth and
gets on with it. Perhaps mercifully, our
Charlie isn’t in every scene and seems superfluous to the plot, but pops up
every so often to do a (not terribly funny) routine and then disappear
again. I rather got the impression that someone had an old script
lying around and decided to rewrite it around him.
Just William
UK, 1940. Directed by Graham Cutts. Dicky Lupino, Fred Emney, Basil Radford, Amy Veness, Roddy McDowall, Iris Hoey, Simon Lack.
Though looking very creaky now, and despite the fact that Dicky Lupino makes a somewhat chubbier version of William than rests in most people’s imaginations, this is an entertaining little film which succeeds in capturing some of the flavour of Richmal Crompton’s characters. Interesting to see a comparatively young Fred Emney as William’s father and future international star Roddy McDowall in one of his earliest roles before moving to Hollywood.
Though looking very creaky now, and despite the fact that Dicky Lupino makes a somewhat chubbier version of William than rests in most people’s imaginations, this is an entertaining little film which succeeds in capturing some of the flavour of Richmal Crompton’s characters. Interesting to see a comparatively young Fred Emney as William’s father and future international star Roddy McDowall in one of his earliest roles before moving to Hollywood.
Subscribe to:
Posts (Atom)